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It’s National Cookie Dough Day!

Good grief, someone actually thought it was a good idea to make a holiday out of eating cookie dough. Don’t get me wrong, in my time I’ve barreled my way through plenty of chocolate chip cookie dough (and isn’t that what most of us think of when it comes to eating the gooey stuff?). My brother used to make cookies just to eat the dough, and then he’d leave the baking to me. Well, that was the idea, anyway.

So today, let’s celebrate one really bad–and potentially dangerous–habit. I’m only going to dream of the stuff, but someday I’ll make that dream come true.

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The Maltese Falcon (1941)

For Father’s Day, a classic film noir film that everyone–fathers, daughters, sons and whoever else is in your circle–can enjoy together. Happy Father’s Day!

Belinda O's avatarClassic for a Reason

The Maltese Falcon, 1941, Warner Bros. Starring Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre. Directed by John Huston. B&W, 100 minutes.

In foggy San Francisco, world-weary private detective Sam Spade (Humphrey Bogart) has taken on a new case from beauty Ruth Wonderly (Mary Astor). Spade’s partner, Miles Archer (Jerome Cowan), is clearly attracted to Miss Wonderly, and agrees to go undercover that night on her behalf. While seeking out the man she believes can help her, he is fatally shot—and so is the subject of his search.

Spade discovers, or rather confirms, that Ruth Wonderly is not her real name, and she is apparently Brigid O’Shaughnessy. The two are caught up in a passionate affair, yet that seemingly doesn’t cloud his judgment in uncovering clues in the case.

Humphrey Bogart, Mary Astor Humphrey Bogart, Mary Astor

Spade does determine the real crux of Brigid’s concern is the Maltese Falcon, an ancient small…

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Caturday Nap Time

Nothing like a cat nap to keep one refreshed and raring to go. And if you can’t snuggle on Mama’s lap, well, reaching out to touch her hip is maybe good enough. Or is he bowing down before me? Ha. He expects that behavior from me, not the reverse.

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Image credits: Cesar Cat © Belinda O; Paws in Heart © Bigstock

 

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Choices

Two weeks ago I visited my mom and helped her make the adjustment to assisted living. For a variety of reasons it had become apparent to the family that she needs an environment where she will be safe, and my brother took charge of pursuing her options. Through a Medicaid program called elderly waiver she is able to afford a (quite small) place in a nice, newly-renovated facility near the apartment she had been living in. So we’re all satisfied she’s done the right thing and are happy with the service she’ll be getting.

What I struggle with, though, is watching my mom get older, knowing that it will be me someday. Without children, I don’t know who will help me when the time comes. I made the choice some time ago not to have children, and as it turns out, my body had made the same decision for me. Yes, I could have adopted, but the bottom line is, as much as I love babies and older kids, I didn’t want any of my own.

AdobeStock_145424722 [Converted]So who will care for me as I age? My brother put in a lot of time and effort to help get my mom where she is today, and I did what I could as well. It all came together for her in a way it isn’t likely to for me. When I mentioned my fears to my brother, he sort of laughed and said it’s a little early to worry about that now.

It is. As scripture says, don’t worry about tomorrow, today has enough trouble of its own. I do believe in planning,  but I know I can’t really plan for how I will be cared for in the future when I don’t know what my situation will be. Still, I will do what I can so I’m at least partially prepared for any eventuality.

Yes, today has enough trouble of its own.

Image Credits: Dandelions © Bigstock; Aging © Adrian Hillman–stock.adobe.com

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I Remember Mama

Happy Mother’s Day, all you moms out there. Here’s a film that honors one mother, and in honoring her, honors all of you.

Belinda O's avatarClassic for a Reason

I Remember Mama, 1948, RKO Radio Pictures. Starring Irene Dunne, Barbara Bel Geddes, Oskar Homolka, Ellen Corby, Philip Dorn. Directed by George Stevens. B&W, 134 minutes.

With quiet dignity, wry humor and deep devotion, Marta Hanson (Irene Dunne), a Norwegian immigrant, is raising her family in early 20th century San Francisco. Her story is told in flashback vignettes by her oldest daughter, Katrin (Barbara Bel Geddes), who has just finished writing an autobiographical novel based on her family.

Mama manages not only her home, but the bickering and rivalry among her sisters and uncle Chris (Oskar Homolka). Chris scares everyone, it seems, with his boisterous manner and demanding presence. Yet he’s clearly wounded to learn he’s frightening his youngest family members—Marta’s children—and seeks camaraderie with them, which he creates by leaning in and whispering a shared secret: none of them like Marta’s sisters.

Mama puts her family first, and…

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