I sit these days, frozen, waiting for events to transpire before my next move. I’m plotting that move, knowing I have only partial control over how it will unfold.
I could get out there again and face the odds I faced before, with likely the same results. Nothing has changed that would make me think otherwise, which is why I’m waiting. In the meantime it seems my body is beginning to betray me.
Life happens while you’re making other plans. I’ve heard that one hundred times or more, and laughed and shook my head along with the others. Of course that’s true! Events conspire to re-direct our routes, or force us to remain on the same ones, all the time.
I haven’t figured out yet how to grab hold of the reigns of my life and take control. I feel as if there is some leap of faith I haven’t yet taken that I need to be willing to risk, just once, and things will change for me.
Yet I have no idea what that might be. Perhaps it isn’t anything bold that needs to be done. Rather, I may need to quietly listen to the clues around me.
Or maybe I already have the wisdom to do the right thing, and I’m following it by patiently waiting for the proper timing, preparing myself for the future and doing my best with the opportunities I have now.
Because life isn’t about having control, but you can be prepared.
Leap, or sit still. I’ll trust my heart will know what to do at the moment it must decide.
I had a secret, and I didn’t tell, because I was afraid you would reject me.
That wasn’t fair. I should have given you a chance.
Today I know it wouldn’t matter, because I know your heart is bigger than my faults. I wish I had trusted that before.
I’m asking you to forgive me for my secret, and for keeping it from you. I’m afraid by waiting I may have created a sadness in you that will hang over us like a cloud.
But I don’t want to keep this a secret any longer.
Most actors and actresses have a series of “lesser” films–or at least roles–before their breakout picture. Here are a few who stood out from the very first time on screen.
Click on the film’s title to see a full review on my classic film blog, Classic for a Reason.
As the beleaguered princess who escapes to find romance with a down-and-out reporter, Audrey Hepburn immediately captivated audiences and set herself up as the style icon she remained for the rest of her life. While plans for the opening credits initially had only Gregory Peck listed as the film’s star, it was at his insistence that producers added Hepburn. She went on to win the Oscar for Best Actress, and followed up this performance with another classic romance, Sabrina.
He wasn’t new to acting, having made quite an impression on Broadway, but Kirk Douglas made his screen debut in this stellar film noir about childhood choices and their impact on the course of a life. He got the part when his friend Lauren Bacall recommended him to producer Hal Wallis, and held his own starring opposite Barbara Stanwyck, one of the top leading ladies of the time and an accomplished actress. This film also stars Van Heflin, and its offbeat nature, intriguing story line and moody cinematography make it a film all classic movie fans must see.
Studio executives took quite a chance casting a complete unknown in this major endeavor, but it paid off from the first moment Errol Flynn appears on screen as the dashing, insolent Captain Blood. He’s joined onscreen by the woman who became his most frequent co-star, the beautiful Olivia de Havilland, and while their romance is central to the plot, this is primarily an action and adventure film, one that set a standard for Flynn’s future films — a standard he surpassed.
Only 19 at the time this film was made–and by her own admission, a naïve 19–Lauren Bacall, with the help of director Howard Hawks and co-star Humphrey Bogart, makes a seismic impression with her sultry style and provocative lines. Three weeks into filming, Bogie and Bacall began their romance, one of Hollywood’s greatest pairings. But putting all that aside (not that you really can; the real-life intensity is part of what made the on-screen love story so compelling), this is a great movie about love and honor during the horror of war.
When William Wyler cast Harold Russell, his only screen credit had been from a military training film. Russell, who’d lost both arms up to his elbows during the war, shone bright as the veteran facing real-life prejudices and limitations due his injury. He won an Academy Award (Supporting Actor) for his work, make that two Academy Awards, the only time any actor has won two Oscars for the same performance. He only appeared in two other films after this one, in 1980 and 1987, but don’t let that make you think he was a lesser performer. He did a fine job showing both the highs and lows of his character’s return home. Didn’t hurt that he had such a stellar cast to support him in his work, along with a strong script, fantastic director…one of the greatest films of the era.
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