“Somewhere, something incredible is waiting to be known.”
― Carl Sagan
That sense of awe, of anticipation. What lies around the corner? What will change my life tomorrow?
Carl Sagan, of course, was talking about science, and presumably, discovery. Yet there are things each of us have yet to uncover in our own lives that can turn the tide for us, bring us great joy and satisfaction, and give us hope in the thought of a new day. Discovery in the ordinary.
Imagine being eight months old again, and the whole world is new. In some ways, that still can be true. There is still more out there we don’t know than we do, more to learn than we can ever know. And while most of it doesn’t have the power to change our lives, just learning it does. The power of the process of education.
And having that sense of awe certainly changes you.
It’s easy, and safe, to become cynical as we grow older. It almost seems wise. We look at the little ones around us and call those wide eyes “the child-like look of wonder” equating “child-like” with “naive, vulnerable.” Yet imagine being able to just sit somewhere and watch the magic of something incredible reveal itself.
Perhaps in sitting still you’ll learn something you’ve never dreamed of before.
There are times in our lives we don’t know why we’re “on hold.” Are we meant to discover during those times? Discovery inherently means you don’t seek particular information, because you don’t know what’s out there. You simply start seeking.
Follow the course of knowledge where it leads you.
Of course at a point your discovery may lead you to understand there is a path of information you want to pursue. It may open up worlds of further discovery for you.
Every once in awhile, life throws us a curve ball — a really cool, out-of-the-blue, unexpected, happy curve ball. Now, I’m not really sure that as a sports term, curve ball is the accurate phrase here, but you get what I’m saying. Something we didn’t expect.
Most of the time, it seems, those unexpected events knock you off your feet with their negative consequences. You don’t know what to do at first, you’re floundering until someone or something helps you get it together. In this case, initially I was cautious. If I celebrated, did I break the spell?
Then I thought, if this is good news, it’s going to stick. If it only seems to be good news, if it turns out to be something else, then why not enjoy the momentary sense of relief anyway? I’m certainly well aware things can change. It’s not as if they did, I’d be disillusioned or destroyed.
So I’m going to celebrate. Quietly, and just with the kitties. But I’ll have a good evening. Because when good things happen, we need to mark the moment.
Well, if not smart, curiously informed. Trivia is fun, if for no other reason than you feel superior to the rest of us mere mortals. It also can create pet peeves, so beware. Here are a few fun facts to get you through the week:
♦Smokey Bear fights forest fires. Not Smokey the Bear. Or Smokey da Bear.
♦A “jiffy” is 1/100 of a second. See you in a jiffy!
♦When the competition is between two people, the proper expression is “may the better man (woman) win.” When it’s between more than two people, you should say, “may the best man (woman) win.”
♦This is not a grammar rule, so teachers don’t like to hear it, but my favorite way to know when to use “it’s” versus “its” is this: “it’s” is the same as “it is.” Think of the apostrophe as replacing the “i.”
♦Back in the 70s we had “Jive Talking.” That’s not the same as when something doesn’t jibe with you. Yep, it’s “jibe,” not “jive,” for the latter expression.
♦And this is as political as I’ll get…”egghead,” a term with much the same meaning as “geek” or “nerd,” was used by Republican VP candidate Richard Nixon in the 1952 presidential campaign to pejoratively describe Democratic presidential candidate Adlai Stevenson. I’ll leave it to you to compare and contrast political campaigns then and now, and I’m not doing it on this blog. But this could start some conversations for you.
If I live to see 100, let me live it like Olivia de Havilland, with class, humor…and in Paris.
Miss de Havilland was one of the top actresses of her time, with a career that spanned decades. She gained the respect of audiences and colleagues alike. But she represented more than just glamour and success. Through the influence gained by her talent, she fought for others, those without a voice, and changed lives as a result.
Publicity photo, c. 1945
A working woman in a sexist environment, she held her own against those who would pull her down and managed one of the most successful long-term careers in Hollywood history.
I’m far from the only one to take note of Miss de Havilland’s qualities, now and then. In February 2016, The Oldie magazine, a satirical publication from London fighting ageism, named her “Oldie of the Year.”
Her response to that honor was delight and delightful. Over the years, her wit has shown in so many of her personal appearances, with a smile and a wink at life.
My fascination with and appreciation of Olivia de Havilland began when I was high school, at the same school she had graduated from in 1934, Los Gatos High School in Los Gatos, Calif.
The summer between my junior and senior years I had a job working in the school library, and my tasks included repairing older books. One of those was the school’s 1934 yearbook, and the librarians turned a blind eye as I spent a little too much time looking for all mention of her. Even then, she stood out from her peers in her poise and class in front of a camera.
Classic movie fans, indeed anybody familiar with her work,
As Melanie in “Gone With the Wind.”
will know her best for two roles, as Melanie in Gone With the Wind and as the dashing Errol Flynn’s most frequent leading lady.
She was nominated for an Academy Award as Best Supporting Actress for her work in Gone With the Wind in 1939, but it wasn’t until she starred in the phenomenal film To Each His Own in 1946 that she won her first Oscar, for Best Actress in a Leading Role. That was followed three years later by the same award for one of my favorite of her films, The Heiress.
In between those two wins, she received a Best Actress nomination for The Snake Pit, a ground-breaking film about the treatment of the mentally ill. Bringing those images to the screen created public awareness of the plight of millions, and those who suffer from mental illness today can be thankful for her work in what I hope & pray is now a long-outdated portrayal of institutionalization.
She had one sister, the late Joan Fontaine. Miss Fontaine was a year younger, and the two are the only sisters in Academy Award history to each win an Oscar for Best Actress.
For those who aren’t aware,
in Hollywood’s early years what was known as the studio system reigned, in which actors and actresses were under contract and controlled by the strict standards and seeming whims of the studio executives. Miss de Havilland took her studio, Columbia Pictures, to court in 1943 and won, and the resulting decision changed labor laws, greatly reduced studio power and began the decline of the contract system.
As a result it was almost impossible for her to find work for a couple of years, but at the end of that time she began a comeback that reduced that gap in her work to a non-entity in her overall career.
Perhaps there were times in those years when she wondered if she should have been the one to take that stand. Even if she never wavered in her pride in her decision, she likely cried or otherwise railed over the blacklisting of her talent. I don’t know enough about her to know what her reaction may have been, except it would have been human.
With President George W. Bush at the National Medal of Arts ceremony in 2008.
Although she is an American citizen, Miss de Havilland has lived in Paris since 1960. She continued to act until the 1980s, and her last major public event was in 2008 when she was presented with the National Medal of Arts.
Our high school has an annual award, “The De Havilland Cup,” given to a student for a monologue performance. That tradition has lasted more than 70 years, and I expect it will continue for many more to come. It is a fine tribute to her talent and dedication to her craft, for it takes both those qualities to win this award.
Olivia de Havilland was a force in Hollywood, and remains a strong & gracious woman. She is one of the last living stars from the Golden Age of Hollywood, that wonderful era from the 30s to 40s.*
Congratulations, Miss de Havilland, for a long and marvelous career, for your dignity and poise, for representing the best for working women everywhere.
*Those familiar with the “Golden Age of Hollywood” know that much of the work that was created during that time was a product of the studio system. It was a wonderful era for film, but not so much, perhaps, for many of the actors and actresses.
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