six seven classic movies with messages that still resonate, with one or two seeming darn near prescient.
Of course dozens of other films from the same era these were produced are as relevant, funny, touching or otherwise worth watching today.
It should be noted all of these movies were made during the time the Production Code was firmly in place, making them conservative and downright tame by today’s standards. Still, the women are strong, something characteristic of many of the female roles of the 30s and 40s, yet ironically an element that began to be lost when the Code was phasing out.
And yes, this is blatant cross-promotion for my other blog, Classic for a Reason, with links to the full reviews you’ll find there. Thank you for visiting that blog, and for that matter, thank you for visiting this one!
The film which brought Katharine Hepburn and Spencer Tracy together. Their chemistry is palpable, but that isn’t the only thing that makes this movie noteworthy today. Hepburn plays a highly capable, skilled woman who has a hard time adjusting to marriage, and Tracy is the long-suffering husband with the wisdom that could save their relationship. Wisdom that still means something in the 21st century.
This film was released in 1954, but it predicts today’s phenomenon of “being famous for being famous.” Judy Holliday plays the not-so-dumb blonde who wants more in life than what she sees as her inevitable lot, and makes the questionable decision to have her name splashed across giant billboards throughout New York City. Also starring Jack Lemmon in his first major screen role. A delightful tale, written by Garson Kanin.
The first film to depict alcoholism in a realistic manner, close to everything in this movie rings true today. There are a few stylistic elements that date the film, and perhaps a handful of aspects of the story line are distinctly from the era, but overall, this film is as timeless as, sadly, the plight of the alcoholic appears to be.
The tale of three serviceman adjusting to civilian life after serving in WWII, it is, in a larger sense, the story of anyone adjusting to a major change in his or her life. Subtle details fill out an already expansive story. While the starring roles all went to men, the supporting cast has several strong performances from top-notch actresses, including Myrna Loy. Winner of nine Academy Awards (with two of them going to Harold Russell, the only time an actor has won two Oscars for the same performance) and one of the best pictures of the 1940s.
Not the weak 2008 remake, but the original from 1939, it looks at a tale as old as marriage and all the ways women can influence each other in their choices. Witty, sharp and sometimes biting, this is a classic like none other, with an all-female cast that includes many of the top actresses of the day. Based on the racy play by Clare Boothe Luce and made acceptable for Code standards by two clever screenwriters, Jane Murfin and Anita Loos.
This not-so-well-known film starring Bette Davis and Olivia de Havilland is not among director John Huston’s finest works. Still, it is worth the watch, if for no other reason than the performance of Ernest Anderson, who plays a young black man unjustly accused of a violent crime he had no part of, and the raw truth, then and now, of racism in our legal system. In fact, the movie was banned from release overseas because of its overt realism dealing with racial issues. Based on the Pulitzer-Prize winning novel by Ellen Glasgow.
And a seventh film I featured in an earlier similar post, but it’s worth repeating…we all know an Eve Harrington, and this is one of the greatest films of all time…
Sweet, baby-faced Eve isn’t who she first seems to be, and Margo Channing is faced with losing her status as the darling of the theatre-going public to this conniving up-and-comer. Bette Davis in one of her finest roles, with a great cast, including an Oscar-winning performance by George Sanders and a brief, yet memorable, appearance by Marilyn Monroe.